Additive & Subtractive Color Models

Article 3 min
Color models explain how colors work together, interact and how we can replicate color. Additive and subtractive color models are an application of color theory. Additive color models include red, blue and green. Subtractive colors include cyan, yellow, magenta and black. Understanding these applications of color theory will help you to determine whether to choose RBG or CYMK for your next project. 

Additive Color

Cameras, televisions, phones and computer monitors use the additive color model. The additive color model describes how light produces color. The additive colors are red, green and blue, or RGB. Additive color starts with black and adds red, green and blue light to produce the visible spectrum of colors. As more color is added, the result becomes lighter. When all three colors are combined equally, the result is white light.

On digital devices, red, green or blue elements are activated by an electrical charge causing them to glow. These elements are called sub-pixels. By combining the three colors, the desired hue is created in one pixel. The pixels then come together like tiny mosaics to create a picture. Hence, the unit of measurement for a digital graphic is pixels per inch.

An example of how applying each light channel (red, green and blue) to a full-color photograph alters its color appearance. The RGB model is primarily used for screen displays. Photo by DINFOS PAVILION Team
A full-color photograph of a barn with mountains in the background that shows the red, green and blue light channels separated.
An example of how applying each light channel (red, green and blue) to a full-color photograph alters its color appearance. The RGB model is primarily used for screen displays.
Photo by: DINFOS PAVILION Team
VIRIN: 200921-D-PA656-0001

Subtractive Color

In the subtractive color model, pigment produces color using reflected light. This color model is used in printing, silk-screening, painting and other mediums that add pigment to a substrate. The subtractive colors are cyan, yellow, magenta and black, also known as CMYK. Subtractive color begins with white (paper) and ends with black; as color is added, the result becomes darker. Printers use cyan, magenta and yellow inks in various percentages to control the amount of red, green and blue light reflected from white paper. In theory, adding equal amounts of cyan, yellow and magenta will produce black, but in reality, the result is often a very muddy dark brown. To produce a true black, black pigment is added. Black is referred to as the key color, or "K", and is also used to add density.
On a piece of paper, cyan, magenta, yellow and black pigments are distributed by the print head in tints. A tint is a screen of tiny dots appearing as a percentage of one color. The overlapping dots create the illusion of a hue. The various tints are then printed in overlapping patterns to create a picture. Hence, the unit of measurement for a print graphic is dots per inch.

An example of how applying each ink pigment — cyan, magenta, yellow and black — to a full-color photograph alters its color appearance. The CMYK model is mostly used for printing or other similar processes. Photo by DINFOS PAVILION Team
A full-color photograph of a barn with mountains in the background that shows separations used for printing with process cyan, magenta and yellow inks.
An example of how applying each ink pigment — cyan, magenta, yellow and black — to a full-color photograph alters its color appearance. The CMYK model is mostly used for printing or other similar processes.
Photo by: DINFOS PAVILION Team
VIRIN: 200921-D-PA656-0003

When to Choose RGB vs CMYK

It is important to choose the correct color model at the beginning of the project to get the best results. If the final product is for print, remember to convert the color mode from RGB to CMYK. If the final product will only appear on an electronic screen or monitor, keep the color mode as RGB.
Because additive colors use transmitted light, the colors appear much brighter and create a larger visible spectrum, producing millions of colors on a screen. Subtractive colors use reflected light, so they appear muted in contrast. Limited by the ink pigments and tints, a printer can only replicate several hundred thousand colors. Because of this, the RGB colors on a monitor do not always equally translate into CMYK colors when printed on paper or other substrates.
Use this graphic as a quick reference to learn important basics for choosing between additive and subtractive colors for your next project.

An infographic that compares the additive and subtractive color models and when to use each.
An infographic that compares the additive and subtractive color models and when to use each.
Photo by: DINFOS PAVILION Team
VIRIN: 200921-D-PA656-0002

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