Basics of Studio Lighting

Article 2 min
Review how each light is used in a standard three-point studio light setup.

The three-point studio lighting setup allows you to light your subject from three different sources: the main light, the fill light and the back light. Effectively using the three-point lighting setup helps control the shadows, balance the contrast and create different moods for your image.

Three Point Lighting Setup
Three Point Lighting Setup
Photo by: DINFOS PAVILION Team
VIRIN: 200804-D-ZW071-0006

Review how each light affects the subject differently:

The main light that established exposure and is the primary, brightest source of light in a studio setting.
Pictured is the main light that establishes exposure and is the primary, brightest source of light.
Photo by: DINFOS PAVILION Team
VIRIN: 200804-D-ZW071-0005

The main light, also referred to as the key light, is the primary light source, and it is the brightest. The main light will establish exposure, and its placement is essential to create different lighting techniques. The main light is most often placed in front of your subject at an angle. Changing the angle of the light can influence the mood of your photographs and the emotional character of your subject.

The fill light that fills in or lightens any shadows produced by the main light in a studio setting.
Pictured is the fill light that fills in or lightens any shadows produced by the main light.
Photo by: DINFOS PAVILION Team
VIRIN: 200804-D-ZW071-0004

The fill light is used to “fill in” or lighten any shadows produced by the main light. It is often placed in front of your subject, opposite the main light. The fill light is used to lighten shadows and to create contrast between the subject and the background. This creates a sense of depth.

The back light that outlines the subject against the background in a studio setting.
Pictured is the back light that outlines the subject against the background.
Photo by: DINFOS PAVILION Team
VIRIN: 200804-D-ZW071-0003

The back light is used to outline the subject against a background. Aim it at the subject from behind, but not in a position that would be directed towards the camera, causing a lens flare. Adjusting the position of the camera can help you avoid this.

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