1 00:00:07,920 --> 00:00:10,039 Writing a feature is like fishing. 2 00:00:10,909 --> 00:00:13,289 Imagine yourself on the bank of your 3 00:00:13,289 --> 00:00:16,059 favorite fishing spot. In your mind, 4 00:00:16,229 --> 00:00:18,510 you know today is the day you will land 5 00:00:18,510 --> 00:00:21,190 the big one. You strategically plan 6 00:00:21,190 --> 00:00:24,420 every detail. You know the fish in 7 00:00:24,420 --> 00:00:26,364 this water, so you will fill your 8 00:00:26,364 --> 00:00:28,819 tackle box with its favorite bait, the 9 00:00:28,819 --> 00:00:31,409 best hooks and fishing line. You 10 00:00:31,409 --> 00:00:33,631 have the right kind of fishing pole for 11 00:00:33,631 --> 00:00:36,020 the water conditions. You are even 12 00:00:36,020 --> 00:00:38,380 ready to take a picture with your prize 13 00:00:38,380 --> 00:00:42,229 catch after you land the big one. This 14 00:00:42,380 --> 00:00:44,819 is all the planning work that goes into 15 00:00:44,819 --> 00:00:47,549 writing a feature. You know your 16 00:00:47,549 --> 00:00:49,750 audience and understand your purpose 17 00:00:49,750 --> 00:00:52,689 and what end state you seek. You've 18 00:00:52,689 --> 00:00:56,590 done your research for your story. All 19 00:00:56,590 --> 00:00:58,812 this planning will help prepare you for 20 00:00:58,812 --> 00:01:00,979 writing the four sections of a feature 21 00:01:00,979 --> 00:01:04,699 story: the lead, nutgraph, body 22 00:01:04,949 --> 00:01:05,949 and conclusion. 23 00:01:08,849 --> 00:01:11,760 It's time. You bait your hook and cast 24 00:01:11,760 --> 00:01:14,199 your line into the water. Before you 25 00:01:14,199 --> 00:01:16,489 know it, you get a nibble. Like good 26 00:01:16,489 --> 00:01:18,711 bait, the lead should hook the readers 27 00:01:18,711 --> 00:01:22,290 and leave them wanting more. Consider 28 00:01:22,290 --> 00:01:24,457 what people care about. Consider what 29 00:01:24,457 --> 00:01:26,529 are the juiciest tidbits from your 30 00:01:26,529 --> 00:01:28,585 interviews and research that you can 31 00:01:28,585 --> 00:01:31,709 entice the reader with. You spring 32 00:01:31,709 --> 00:01:33,949 into action and set the hook with a big 33 00:01:33,949 --> 00:01:36,790 yank. You feel the tension on the rod 34 00:01:36,790 --> 00:01:38,901 from the fish fighting back and start 35 00:01:38,901 --> 00:01:42,779 reeling it in. The nutgraph 36 00:01:43,069 --> 00:01:45,470 is the yank of your feature as it tells 37 00:01:45,470 --> 00:01:47,581 the readers what you're going to talk 38 00:01:47,581 --> 00:01:49,637 about just before you reel them in. 39 00:01:50,080 --> 00:01:52,120 Don't start your sentence with, "This 40 00:01:52,120 --> 00:01:55,529 feature examines..." Use the nutgraph to 41 00:01:55,529 --> 00:01:57,307 continue engaging your reader. 42 00:02:00,120 --> 00:02:02,279 Your heart races. The harder the 43 00:02:02,279 --> 00:02:04,559 struggle, the stronger your resolve. 44 00:02:04,919 --> 00:02:07,141 You think to yourself that this must be 45 00:02:07,141 --> 00:02:10,369 a big one. The body of the story reels 46 00:02:10,369 --> 00:02:12,313 the reader in by moving the reader 47 00:02:12,313 --> 00:02:14,369 through a narrative of emotions, 48 00:02:14,729 --> 00:02:16,130 expectations, build up, 49 00:02:16,449 --> 00:02:18,970 disappointments, conflict, twists, 50 00:02:19,169 --> 00:02:21,089 struggles, achievements and 51 00:02:21,089 --> 00:02:24,380 reflections. Finally, you see your 52 00:02:24,380 --> 00:02:26,960 catch, and it's the big one. You give 53 00:02:26,960 --> 00:02:29,690 the line one last tug, reach out with 54 00:02:29,690 --> 00:02:32,830 your net and bring it onshore. The 55 00:02:32,830 --> 00:02:35,070 conclusion brings the feature to a 56 00:02:35,070 --> 00:02:38,229 close by tying up any loose ends and 57 00:02:38,229 --> 00:02:41,309 looking at the future. You snap the 58 00:02:41,309 --> 00:02:42,865 picture as evidence of your 59 00:02:42,865 --> 00:02:46,529 accomplishment. This is the 60 00:02:46,529 --> 00:02:48,807 measurement of the change in knowledge, 61 00:02:48,860 --> 00:02:51,419 attitude and behaviors that you set 62 00:02:51,419 --> 00:02:54,809 as your goal at the start. When 63 00:02:54,809 --> 00:02:56,839 writing for your next big catch, 64 00:02:57,369 --> 00:03:00,029 remember this structure: bait with a 65 00:03:00,029 --> 00:03:02,085 lead and use a nutgraph to set your 66 00:03:02,085 --> 00:03:05,020 hook. Reel in with an engaging 67 00:03:05,020 --> 00:03:07,619 narrative to a conclusion that achieves 68 00:03:07,619 --> 00:03:10,919 your purpose and gets results. Whether 69 00:03:10,919 --> 00:03:12,975 it's a news feature, human interest 70 00:03:12,975 --> 00:03:15,199 story or personality feature, this 71 00:03:15,199 --> 00:03:17,470 story structure will always land a big 72 00:03:17,470 --> 00:03:17,720 one.