1 00:00:00,240 --> 00:00:02,407 Welcome to a FM Radio refreshers . I'm 2 00:00:02,407 --> 00:00:04,518 staff sergeant Chris Duke Worth A K a 3 00:00:04,520 --> 00:00:08,430 DJ Duckman mm refreshing 4 00:00:11,940 --> 00:00:15,010 in this video . We'll explore how you 5 00:00:15,010 --> 00:00:17,010 can use your production computer to 6 00:00:17,010 --> 00:00:19,010 enrich your show content while your 7 00:00:19,010 --> 00:00:21,066 studio setup may vary slightly . The 8 00:00:21,066 --> 00:00:23,710 core concepts remain the same . Your 9 00:00:23,710 --> 00:00:25,877 board should be set up to allow you to 10 00:00:25,877 --> 00:00:27,932 record raw mic audio from all mix in 11 00:00:27,932 --> 00:00:29,821 your studio , which is invaluable 12 00:00:29,821 --> 00:00:32,330 during interviews . Be sure to set your 13 00:00:32,330 --> 00:00:34,970 mix to send a program to which sends 14 00:00:34,970 --> 00:00:37,200 the audio to your production computer 15 00:00:37,210 --> 00:00:39,910 before any interview , ensure you have 16 00:00:39,910 --> 00:00:42,040 a new audio file ready to record an 17 00:00:42,040 --> 00:00:44,096 audition on your production computer 18 00:00:44,740 --> 00:00:47,080 when a guest enters the studio , the 19 00:00:47,080 --> 00:00:49,940 first thing you should always always do 20 00:00:49,960 --> 00:00:51,960 is start recording the interview in 21 00:00:51,960 --> 00:00:54,170 audition . An easy keyboard shortcut 22 00:00:54,170 --> 00:00:57,470 for this is shift plus space bar when 23 00:00:57,470 --> 00:00:59,192 your interview is over and the 24 00:00:59,192 --> 00:01:01,137 recording this provides you studio 25 00:01:01,137 --> 00:01:03,248 quality sound bytes free of bed music 26 00:01:03,248 --> 00:01:05,240 and other sound effects . You can 27 00:01:05,240 --> 00:01:07,240 repurpose this clean audio for your 28 00:01:07,240 --> 00:01:09,720 daily news elements , spots , video 29 00:01:09,720 --> 00:01:12,060 productions , Anything you can think of . 30 00:01:12,640 --> 00:01:14,862 You can also use audition to play audio 31 00:01:14,862 --> 00:01:16,918 from your af and approved production 32 00:01:16,918 --> 00:01:19,120 source libraries . Let's say you're 33 00:01:19,120 --> 00:01:20,953 doing an on air bit about sports 34 00:01:20,953 --> 00:01:23,009 programming available on a . F . N . 35 00:01:23,020 --> 00:01:24,798 And you want to play a postgame 36 00:01:24,798 --> 00:01:26,742 interview clip from the latest pro 37 00:01:26,742 --> 00:01:28,798 football game as a sweetener to your 38 00:01:28,798 --> 00:01:31,020 content . Find an audio source from one 39 00:01:31,020 --> 00:01:33,020 of the approved websites . A FN has 40 00:01:33,020 --> 00:01:35,490 access to download that clip and open 41 00:01:35,490 --> 00:01:39,330 it with an audition . It's a good 42 00:01:39,330 --> 00:01:41,219 idea to hard limit this clip , an 43 00:01:41,219 --> 00:01:43,680 audition to even out the audio . So the 44 00:01:43,680 --> 00:01:46,000 element sounds smoother on air . This 45 00:01:46,000 --> 00:01:48,167 prevents any over modulated audio from 46 00:01:48,167 --> 00:01:50,350 airing . Check with your affiliate for 47 00:01:50,350 --> 00:01:52,460 specific hard limiter settings . 48 00:01:53,140 --> 00:01:56,010 Silence all system sounds on your 49 00:01:56,010 --> 00:01:58,066 production computer by going to your 50 00:01:58,066 --> 00:02:00,150 Windows audio mixer and leaving only 51 00:02:00,150 --> 00:02:03,370 audition as an output . Then select 52 00:02:03,370 --> 00:02:05,592 your clip , audio track and ensure your 53 00:02:05,592 --> 00:02:08,070 play head is at the start of the track . 54 00:02:08,080 --> 00:02:10,300 Now level your production computer 55 00:02:10,300 --> 00:02:12,740 output on your ACSI aboard to negative 56 00:02:12,740 --> 00:02:14,990 10 , ensure it's out putting into 57 00:02:14,990 --> 00:02:17,240 channel one and turn on your production 58 00:02:17,240 --> 00:02:19,420 computer output . Your production 59 00:02:19,420 --> 00:02:21,730 computer space bar now fires the clip 60 00:02:21,740 --> 00:02:24,280 on air despite having your production 61 00:02:24,280 --> 00:02:26,850 computer output fired . Nothing should 62 00:02:26,850 --> 00:02:29,072 air live at this point until you played 63 00:02:29,072 --> 00:02:31,340 a clip and audition when you begin your 64 00:02:31,340 --> 00:02:33,690 on air bit . Have your hands placed on 65 00:02:33,690 --> 00:02:35,801 the space bar to fire the clip at the 66 00:02:35,801 --> 00:02:38,023 appropriate moment in your talk break . 67 00:02:38,740 --> 00:02:40,907 Hey , I hope you're able to catch last 68 00:02:40,907 --> 00:02:42,907 night's game between the Washington 69 00:02:42,907 --> 00:02:45,129 Redskins and the new Orleans Saints new 70 00:02:45,129 --> 00:02:44,930 Orleans . Saints quarterback drew Brees . 71 00:02:45,080 --> 00:02:47,247 Yeah , he broke the NFL passing record 72 00:02:47,247 --> 00:02:49,413 in the first half . I gotta clip right 73 00:02:49,413 --> 00:02:51,524 here for you where he talks about all 74 00:02:51,524 --> 00:02:53,747 the support he's had over the years . I 75 00:02:53,747 --> 00:02:55,858 don't think it could have happened in 76 00:02:55,858 --> 00:02:57,969 any better fashion than it did and to 77 00:02:57,969 --> 00:03:00,191 have than that moment with my teammates 78 00:03:00,191 --> 00:03:02,302 on the field . The offensive line . I 79 00:03:02,302 --> 00:03:01,960 mean it just , it played out even 80 00:03:02,540 --> 00:03:04,873 greater than I ever could have imagined . 81 00:03:04,873 --> 00:03:07,040 And remember at any point in time , if 82 00:03:07,040 --> 00:03:09,207 you want to watch his next game or any 83 00:03:09,207 --> 00:03:08,810 of the other NFL games they've got on 84 00:03:08,820 --> 00:03:11,700 my A FN . Just check out my af en dot 85 00:03:11,700 --> 00:03:14,000 net . Look for the showtimes and more 86 00:03:14,010 --> 00:03:16,121 and pretty soon you'll be on a roller 87 00:03:16,121 --> 00:03:20,030 coaster of sports . This is an 88 00:03:20,040 --> 00:03:22,096 easy way to bring diverse content to 89 00:03:22,096 --> 00:03:24,207 your show and can make your bits more 90 00:03:24,207 --> 00:03:26,429 dynamic . You can use this technique in 91 00:03:26,429 --> 00:03:28,484 nearly the exact same manner to play 92 00:03:28,484 --> 00:03:30,960 back recorded phone calls taken off air . 93 00:03:31,740 --> 00:03:33,740 Check out the phone call module for 94 00:03:33,740 --> 00:03:36,130 more info . You can use audition to 95 00:03:36,130 --> 00:03:38,940 record songs or segments of songs from 96 00:03:38,940 --> 00:03:41,107 your A V . R . P . S music library for 97 00:03:41,107 --> 00:03:43,300 use in your show , load the song in a 98 00:03:43,300 --> 00:03:47,290 VR PS click cut , then trims and 99 00:03:47,290 --> 00:03:49,980 tones , scrub the play head in the A V 100 00:03:49,980 --> 00:03:52,210 R PS audio editor to the part of the 101 00:03:52,210 --> 00:03:55,740 song . You want to record level your A 102 00:03:55,740 --> 00:03:58,090 V . R . P S pod on your ACSI aboard to 103 00:03:58,090 --> 00:04:00,380 negative 10 and ensure its out putting 104 00:04:00,390 --> 00:04:03,000 into program too . Open a new audio 105 00:04:03,000 --> 00:04:05,630 file in audition and start recording , 106 00:04:05,710 --> 00:04:08,060 play the song and record the part of 107 00:04:08,060 --> 00:04:10,830 the song you wish to capture . You can 108 00:04:10,830 --> 00:04:12,886 then use this song clip as part of a 109 00:04:12,886 --> 00:04:14,886 bit element during your live on air 110 00:04:14,886 --> 00:04:16,997 show . What's going on ? It's time to 111 00:04:16,997 --> 00:04:19,108 play , finish the lyric really easy . 112 00:04:19,108 --> 00:04:21,219 All you gotta do is finish the end of 113 00:04:21,219 --> 00:04:21,200 this lyric that I'm about to play and 114 00:04:21,200 --> 00:04:23,144 you could walk away with some free 115 00:04:23,144 --> 00:04:24,144 movie tickets , 116 00:04:29,420 --> 00:04:31,810 anything , everything . 117 00:04:33,460 --> 00:04:35,682 If you think , you know with the ending 118 00:04:35,682 --> 00:04:37,849 to that lyric is all you have to do is 119 00:04:37,849 --> 00:04:40,016 check out our facebook page or give us 120 00:04:40,016 --> 00:04:42,127 a call and you could be breaking free 121 00:04:42,127 --> 00:04:44,071 of that boredom , just like Ariana 122 00:04:44,071 --> 00:04:46,127 grande if you want it . Mhm . That's 123 00:04:46,127 --> 00:04:48,710 one use of a song . You can use these 124 00:04:48,710 --> 00:04:50,830 song clips in personalized liners , 125 00:04:51,040 --> 00:04:53,960 daily news elements , spots , etcetera . 126 00:04:55,040 --> 00:04:56,929 Using your production computer to 127 00:04:56,929 --> 00:04:59,040 enrich your show allows you to get as 128 00:04:59,040 --> 00:05:01,310 creative as you want . As always 129 00:05:01,320 --> 00:05:03,700 practice . Makes perfect in no time at 130 00:05:03,700 --> 00:05:06,120 all . It'll be second nature . Have a 131 00:05:06,120 --> 00:05:07,150 great show .