1 00:00:01,540 --> 00:00:03,290 - [Narrator] It wasn't that long ago, 2 00:00:03,290 --> 00:00:05,793 in fact it feels just like yesterday, 3 00:00:06,430 --> 00:00:07,980 Nicky was tired of being told 4 00:00:08,070 --> 00:00:09,783 what she could and couldn't do. 5 00:00:11,380 --> 00:00:15,433 Sure, she excelled at taking photographs, it was her thing. 6 00:00:16,740 --> 00:00:18,343 She was designed for it. 7 00:00:18,890 --> 00:00:21,513 But she knew deep down, she could do more. 8 00:00:24,620 --> 00:00:27,570 She had dreams of taking those individual frames 9 00:00:27,790 --> 00:00:30,633 and stringing them together into a motion picture. 10 00:00:31,740 --> 00:00:35,073 Nicky would go on to do just that, and you can too. 11 00:00:36,585 --> 00:00:39,168 (claps slowly) 12 00:00:40,651 --> 00:00:43,318 (intense music) 13 00:00:53,672 --> 00:00:57,005 (up-beat hip-hop music) 14 00:00:59,020 --> 00:01:01,250 - Before there was a public affairs consolidation, 15 00:01:01,250 --> 00:01:02,700 there was gear consolidation. 16 00:01:03,060 --> 00:01:05,640 Manufacturers saw an opportunity to leverage 17 00:01:05,640 --> 00:01:07,240 the technology in their cameras, 18 00:01:07,290 --> 00:01:09,633 to have them do more for a better price point. 19 00:01:10,170 --> 00:01:11,760 Technology that was once out of reach 20 00:01:11,760 --> 00:01:14,650 for independent producers, was now within their grasp. 21 00:01:14,650 --> 00:01:16,530 The first camera to really do this well 22 00:01:16,530 --> 00:01:18,090 was the Cannon 5D Mark II. 23 00:01:18,090 --> 00:01:20,890 But since then, Sony, Panasonic and Nikon 24 00:01:20,980 --> 00:01:22,380 have seized the opportunity. 25 00:01:22,780 --> 00:01:25,780 And chances are, you have one of these cameras in your shop. 26 00:01:26,210 --> 00:01:28,253 Whether a DSLR or a mirrorless, 27 00:01:28,610 --> 00:01:30,660 there are pros and cons to shooting video 28 00:01:30,930 --> 00:01:33,223 with a camera designed, primarily, for photo. 29 00:01:33,980 --> 00:01:34,930 Lets break it down. 30 00:01:35,660 --> 00:01:37,110 This impeccably dressed party store, 31 00:01:37,110 --> 00:01:40,110 professional football player will help illustrate our point. 32 00:01:40,310 --> 00:01:41,143 Size. 33 00:01:41,700 --> 00:01:43,050 These cameras are easy to carry 34 00:01:43,050 --> 00:01:45,680 and especially helpful when you have to one-man-band it. 35 00:01:45,680 --> 00:01:47,443 Just don't forget your stabilizer. 36 00:01:48,530 --> 00:01:49,880 - Look, I'm shooting video. 37 00:01:51,230 --> 00:01:52,230 - Detachable lenses. 38 00:01:53,200 --> 00:01:54,760 This offers you more creative choices 39 00:01:54,760 --> 00:01:57,010 and flexibility in how you compose your shot. 40 00:01:57,430 --> 00:02:00,483 Most DSLRs can be adapted to use a wide range of lenses. 41 00:02:01,830 --> 00:02:05,000 Large sensors. Large sensors help you get 42 00:02:05,000 --> 00:02:06,910 that super sweet shallow depth of field. 43 00:02:06,910 --> 00:02:08,330 Now your viewers can concentrate 44 00:02:08,330 --> 00:02:10,530 on the primary point of focus in your story, 45 00:02:10,550 --> 00:02:12,650 without distractions from your background. 46 00:02:13,010 --> 00:02:15,323 Just be sure you get that shot in focus. 47 00:02:15,970 --> 00:02:17,913 - [Man] So cinematic! 48 00:02:18,910 --> 00:02:19,873 - Now the cons. 49 00:02:20,650 --> 00:02:23,650 Party store convict is here to help illustrate these points. 50 00:02:24,010 --> 00:02:24,843 Audio. 51 00:02:25,290 --> 00:02:26,620 The biggest sacrifice you'll make 52 00:02:26,620 --> 00:02:28,543 when using a DSLR is sound. 53 00:02:29,020 --> 00:02:31,920 They usually have poor preamps, which can result in noise. 54 00:02:31,950 --> 00:02:33,950 And the maximum quality of the recording 55 00:02:33,970 --> 00:02:35,770 is less than that of a video camera. 56 00:02:36,750 --> 00:02:38,420 You'll be better off recording your interviews 57 00:02:38,420 --> 00:02:40,733 and other sounds on a device like this, 58 00:02:40,760 --> 00:02:42,103 and syncing them in post. 59 00:02:42,810 --> 00:02:43,663 Limited Codec. 60 00:02:44,460 --> 00:02:48,593 Many DSLRs record video using an 8-bit h.264 codec. 61 00:02:49,070 --> 00:02:50,280 It's a great codec for viewing 62 00:02:50,280 --> 00:02:52,900 because it's super compressed, and can help keep video files 63 00:02:52,900 --> 00:02:54,983 small for uploading and viewing online. 64 00:02:55,270 --> 00:02:56,780 It's not great when you wanna take footage 65 00:02:56,780 --> 00:02:58,380 into your editor and work on it. 66 00:02:58,510 --> 00:03:00,223 It can bog down slower machines, 67 00:03:00,520 --> 00:03:02,160 and the amount of information you have to push 68 00:03:02,160 --> 00:03:03,913 when color correcting is limited. 69 00:03:04,510 --> 00:03:05,363 Record time. 70 00:03:05,760 --> 00:03:08,603 Most of these cameras only record 29 minutes per clip. 71 00:03:08,970 --> 00:03:11,350 That may seem like plenty but if you're recording 72 00:03:11,350 --> 00:03:14,220 a change of command or interview, you could end up having 73 00:03:14,220 --> 00:03:16,470 your camera stop right when you need it most. 74 00:03:16,910 --> 00:03:19,070 - I, myself, almost didn't even believe it. 75 00:03:19,070 --> 00:03:24,070 I, sure enough, at 06:30, we walked out and we saw-- 76 00:03:26,790 --> 00:03:29,220 There's just a few pros and cons for you to consider 77 00:03:29,220 --> 00:03:31,913 when using your DSLR or mirrorless for video. 78 00:03:33,580 --> 00:03:36,143 - That's a nice watch. - Hey, thanks. 79 00:03:36,860 --> 00:03:40,283 That's all guys, thank you, yeah, appreciate it. 80 00:03:42,330 --> 00:03:44,330 If you are a photographer and you're about to start 81 00:03:44,330 --> 00:03:46,430 shooting video, that can seem like a tall order. 82 00:03:46,430 --> 00:03:48,863 But, rest assured, skills you already possess, 83 00:03:48,900 --> 00:03:51,160 like composition and the use of natural light, 84 00:03:51,160 --> 00:03:52,560 are going to serve you well. 85 00:03:52,820 --> 00:03:55,540 There is one thing you're going to have to consider though. 86 00:03:55,540 --> 00:03:58,090 Shutter speed is no longer a tool to control light, 87 00:03:58,160 --> 00:04:00,250 it's an artistic choice to help determine 88 00:04:00,250 --> 00:04:03,283 the fluidity of motion. (whirling) 89 00:04:04,580 --> 00:04:06,810 High shutter speeds can make objects look deformed 90 00:04:06,810 --> 00:04:07,643 and unnatural. 91 00:04:09,230 --> 00:04:11,040 Whilst slow shutter speeds can distort 92 00:04:11,040 --> 00:04:12,740 and ghost your subjects movements. 93 00:04:13,000 --> 00:04:14,453 This could be a cool effect, 94 00:04:15,520 --> 00:04:17,380 but if you want your motion to look natural, 95 00:04:17,380 --> 00:04:19,720 a quick rule of thumb is to keep your shutter speed 96 00:04:19,720 --> 00:04:20,870 double your frame rate. 97 00:04:21,720 --> 00:04:23,940 So let that DSLR or mirrorless wonder 98 00:04:24,210 --> 00:04:26,402 reach its dreams of being a video superstar. 99 00:04:26,402 --> 00:04:28,070 (cheers) 100 00:04:28,070 --> 00:04:31,153 - To learn more techniques about shooting video on DSLR, 101 00:04:31,153 --> 00:04:33,890 scourer the web, check with your supervisor 102 00:04:34,150 --> 00:04:35,693 to refer to your CDCs. 103 00:04:37,700 --> 00:04:40,023 - Hey, um, that was my line. 104 00:04:40,540 --> 00:04:41,890 - Are you serious? - Yeah. 105 00:04:42,020 --> 00:04:43,337 - You're not kidding? - No. 106 00:04:44,327 --> 00:04:47,827 - Huh, guess the Canal will be going then. 107 00:04:49,157 --> 00:04:49,990 - Awkward.