1 00:00:01,961 --> 00:00:05,628 (haunting electronic music) 2 00:00:24,747 --> 00:00:27,497 (gurgling noise) 3 00:00:28,024 --> 00:00:31,357 (water dripping noises) 4 00:00:40,548 --> 00:00:41,381 - Savage. 5 00:00:42,723 --> 00:00:45,306 (upbeat music) 6 00:00:57,586 --> 00:01:00,336 (marker squeaks) 7 00:01:01,125 --> 00:01:04,247 - Such tragedy need not happen on your set. 8 00:01:04,247 --> 00:01:06,107 More light is not always better. 9 00:01:06,107 --> 00:01:09,280 It's how you use your light that helps you tell your story. 10 00:01:09,280 --> 00:01:11,497 When you're lighting a scene for a video production, 11 00:01:11,497 --> 00:01:13,312 you're telling the audience what to think and feel 12 00:01:13,312 --> 00:01:15,229 about those characters. 13 00:01:15,336 --> 00:01:16,478 It's not just about making sure 14 00:01:16,478 --> 00:01:18,809 the camera can see the subject. 15 00:01:18,809 --> 00:01:21,357 Most of us were taught typical three-point lighting. 16 00:01:21,357 --> 00:01:23,524 Key, fill, and hair light. 17 00:01:23,837 --> 00:01:25,705 Those are great places to start. 18 00:01:25,705 --> 00:01:26,805 But what do we do with these lights 19 00:01:26,805 --> 00:01:28,529 once they're in place? 20 00:01:28,529 --> 00:01:30,554 Do we crank them up as high as they can go, 21 00:01:30,554 --> 00:01:32,300 and melt our poor subjects? 22 00:01:32,300 --> 00:01:33,133 - [Cameraman] No! 23 00:01:33,133 --> 00:01:34,300 Just use LEDs! 24 00:01:34,530 --> 00:01:35,942 - Okay, that may save them from an 25 00:01:35,942 --> 00:01:38,117 unwanted tan, but will not save your 26 00:01:38,117 --> 00:01:40,184 sets from unwanted harsh lighting. 27 00:01:40,184 --> 00:01:42,116 Think of your sets as a blank canvas, 28 00:01:42,116 --> 00:01:43,722 and light is your paintbrush. 29 00:01:43,722 --> 00:01:45,437 How you use them will determine 30 00:01:45,437 --> 00:01:47,150 the feelings and emotions your audience 31 00:01:47,150 --> 00:01:49,811 has watching for central characters. 32 00:01:49,811 --> 00:01:51,740 In this interview setup, we have a subject 33 00:01:51,740 --> 00:01:53,246 who is telling us a personal story 34 00:01:53,246 --> 00:01:55,246 of triumph over tragedy. 35 00:01:55,938 --> 00:01:57,031 We want our audience to feel the 36 00:01:57,031 --> 00:01:59,364 danger as the story unfolds. 37 00:01:59,646 --> 00:02:03,463 For this, we may want to use more contrasting light. 38 00:02:03,463 --> 00:02:05,436 Giving in to deeper shadows adds the aura 39 00:02:05,436 --> 00:02:07,436 of intrigue and mystery. 40 00:02:07,752 --> 00:02:08,699 Now, let's say our subject was 41 00:02:08,699 --> 00:02:11,703 recognized for being the top volunteer on base. 42 00:02:11,703 --> 00:02:13,753 She's outgoing, jovial, and we 43 00:02:13,753 --> 00:02:15,810 want the light to reflect that. 44 00:02:15,810 --> 00:02:17,765 Let's balance our key and fill more 45 00:02:17,765 --> 00:02:19,182 to limit shadows. 46 00:02:20,954 --> 00:02:22,871 Bump up our hair light, 47 00:02:24,008 --> 00:02:27,006 and reveal our background with a fourth light. 48 00:02:27,006 --> 00:02:29,519 We are still keeping the natural features of her face, 49 00:02:29,519 --> 00:02:33,017 but now we have a much warmer environment to relate to. 50 00:02:33,017 --> 00:02:36,139 Same location, same subject, different looks 51 00:02:36,139 --> 00:02:38,056 for different purposes. 52 00:02:38,865 --> 00:02:40,537 Lighting is an art form, and you 53 00:02:40,537 --> 00:02:43,467 can spend a lifetime studying and practicing it. 54 00:02:43,467 --> 00:02:45,258 But it's also what can make your stories 55 00:02:45,258 --> 00:02:47,258 stand out from the pack. 56 00:02:47,662 --> 00:02:49,336 If you are looking to really understand the science 57 00:02:49,336 --> 00:02:52,483 behind the art, consider investing in a light meter. 58 00:02:52,483 --> 00:02:54,609 Light meters can help you maintain continuity across 59 00:02:54,609 --> 00:02:56,787 interviews and help take the guesswork out 60 00:02:56,787 --> 00:02:59,717 of how to adjust your lights or camera settings. 61 00:02:59,717 --> 00:03:01,347 They're also helpful in understanding your ambient 62 00:03:01,347 --> 00:03:03,391 lighting when on a location scout. 63 00:03:03,391 --> 00:03:05,493 If you're shop can't afford a professional 64 00:03:05,493 --> 00:03:08,721 light meter, consider downloading a free app on your phone. 65 00:03:08,721 --> 00:03:10,792 It won't be as accurate as the pro meters, 66 00:03:10,792 --> 00:03:13,587 but you'll still have more information than you had before, 67 00:03:13,587 --> 00:03:16,986 and the best light meter is the one you have on you. 68 00:03:16,986 --> 00:03:18,881 For more information on how to use a light meter, 69 00:03:18,881 --> 00:03:20,762 and for lighting tips and tricks, 70 00:03:20,762 --> 00:03:23,056 talk to your supervisor, scour the web, 71 00:03:23,056 --> 00:03:24,973 and refer to your CDCs. 72 00:03:25,185 --> 00:03:28,435 Right now, I've got some cleanup to do. 73 00:03:33,526 --> 00:03:36,049 (mopping noises) 74 00:03:36,049 --> 00:03:37,049 Such a mess.